I enjoyed this project much more than I thought I would, in retrospect I got allot more done with the medium than I expected.
Critique was very constructive as my colleagues illustrated my harsh use of white on the Pepper, need to lighten-up around the cherries and work more on soft tones on the left side of the fabric.
My greatest surprise has to be that everyone seemed to appreciate my soft tones on the fabric at the bottom of the composition. I honestly would like another stab at the black and white still life, but seems we are going full steam ahead into colour. Maybe it is for the best not too dwell in simple tones just because I want to perfect it.
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